Cleve gray biography of william
American - Log in Sign up. Access complete market analysis. Unlock exclusive artist performance data. Art History. Book Reviews. Search History. Cleve Gray American - How much does a Cleve Gray cost? References [ edit ].
Cleve gray biography of william
The New York Times. Archived from the original on November 21, Retrieved October 31, Economist magazine. December 29, Retrieved November 2, In both his work and his attitude toward art, he praised sincerity over irony, and considered headline-grabbing, sensationalistic conceptual work destructive. Toward the end of his life, Mr Gray's peripheral vision dimmed, though he continued painting as he always had: in a converted barn at his home in Warren, Connecticut, where he'd lived since The brushstrokes of "Letting Go", a series of paintings from , may have lacked the boldness and scale of his work from decades past, but the paintings retained Mr Gray's hallmark purity, stark bravery, and genius for color.
March 13, Archived from the original on June 13, Marquis Who's Who, Reproduced in Biography Resource Center. Farmington Hills, Mich. Accessed Entry updated: 20 March Archived from the original on April 14, Retrieved September 17, Archived from the original on July 12, May 17, Archived from the original on September 21, Archived from the original on November 28, Archived from the original on September 24, Kunstwerken Biografie Press Exposities Bibliografie.
View works. After the war, he remained in Paris on the GI Bill, where he furthered his study of painting. During the s he formed a close friendship with Barnett Newman. It was during this time that he experienced an artistic metamorphosis, dissolving his earlier cubist compositions in a sea of distilled color. This dramatic body of work marked the beginning of an artistic meditation that would last for over 40 years.
The rigors of French modernism, the ethos of Abstract Expressionism and the calligraphic restraint of eastern art commingle with astounding affect. Gray was admired for his large-scale, vividly colorful and lyrically gestural abstract compositions and achieved his greatest critical recognition in the late 's and 70's after working for many years in a comparatively conservative late-Cubist style.
Inspired in the 's by artists like Jackson Pollock, Clyfford Still, Mark Rothko and Helen Frankenthaler, Gray began to produce large paintings using a variety of application methods - pouring, staining, sponging and other nontraditional techniques - to create compositions combining expanses of pure color and spontaneous calligraphic gestures.