Dark tranquillity damage done

The amount of commonality that it shares with mainline heavy metal gives it an appeal that would be fit for the arena if it were not for the toneless vocals and dark themes, and at the same time it manages to surprise at a few key points, particularly when the keyboards make a few brief appearances on equal footing with the guitars. But more than anything else, it's the sort of album that will be difficult to get out of one's head once its nestled itself in, and it takes little time for the infectious melodies and smooth atmospherics to overpower the ears once they've started.

It may not be death metal in the strict sense of the style, but it kills with a similar degree of mastery. It was quite heavy when I heard it I was still quite new in the metal scene but I really liked the chorus. I started downloading songs and eventually the whole Damage Done album. I was really impressed with the mix of beauty and melody present on this album.

I had already heard Soilwork and In Flames from the Gothenburg metal scene but this album was very different from both of them. No clean vocals with rip off chorus. Instead, DT showed us some awesome songs a bit more complex than the other two bands in the melodeath scene. The lyrics in this album are brilliant. The kind of lyrics that pushes you to understanding the meaning behind every word.

It is not always easy to guess what Micheal meant through his lyrics. The album was not focus on a specific instrument. The guitars are clear they are more used as rhythmic, no solos except for Monochromatic Stains. The keyboard gives a good atmosphere to the songs. The drums are always used on the same tempo, not very fast nor very slow.

The bass guitar can easily be heard, which is a good point. If you are interested in melodic death metal and you are looking for something not as commercial oriented as In Flames then I recommend you strongly to take a look at this album. After showing the world what they were capable of, the strange and unusual arrangements came to a halt, and Dark Tranquillity took a more proper, direct approach towards their way of making music.

Never has an album by this band sounded so strict and straight-forward, but rarely before has undemanding music worked as well as it does here either. What they do is pretty simple, but inside of the shielding boundaries that they create, they do absolutely everything possible to make it sound interesting. Restarting at ground zero, although it's a risky move, it sure paid off.

First of all, the production couldn't be better. Of all the releases that major labels release, only a few really seems to fit music and production together as a whole. Without the clear-cut sound that is breathing freely into the sonic language the instruments speak the actual songs wouldn't work half as good. The guitars are perfectly distorted to fit the occasion.

The drums work in a splendid way, instead of confusing you with their complex beats, thanks to the sound they keep you involved in what is going on behind the kit. Even the bass guitar which usually drowns behind the guitars can be heard to the extent that you constantly follow its pattern. The songs are mostly great and have improved since "Haven".

The aforementioned album didn't offer much to me, and I blame it on the songs. As I stated earlier, they've aimed for simplicity than anything else, which at the time was the right move for them. Everybody who's heard "Projector" knows what this band is capable of, and I find myself in delight hearing that they don't try to repeat themselves.

There are way too many bands that do that. Unfortunately, the band members of D. This is why this album beats it's successors straight down. This is without a doubt a big downer for most people, and of course for me too. There's nothing special about his voice to begin with, and when it becomes a monotonic mush after a while, it really can't be forgiven.

Also, whilst the simply structured may work, it doesn't work for 47 minutes straight. It would've been nice with something different once in a while, and believe me, there is no such thing to be found. Sure, there are major changes between songs, both in speed and style, but again it has its limitations. At a certain point, I begin to miss the old D.

Fortunately they've done something unique with the last song. It's not really an outro, and not an individual song, but something in between. Let's call it a passage. Anyway, this is the real reason why bands like this one maintains its standard in my book; atmosphere. They use just about enough of it to put me under a worshipping-spell.

There's great melodies and melancholic ambience which grabs you, and doesn't let go before the last second of its playing time. I regard this release as one of the highpoints in its area. There's enough intensity to break your balls, but not enough variation to make it into the classics category. Even so, you should definitely buy it if you are interested in just how good Gothenburg-metal can be.

It's safe to say that "Damage Done," the supposed big comeback album for one of Sweden's best bands, fell short Just like the rest of melodic death metal albums that came out in It goes without saying that "Damage Done" was cluster-fucked in with every other big release of In Flames, Behemoth, Soilwork, etc. While it's not a total flop, and does have a damn good share of moments, Dark Tranquillity didn't really usher in anything outstanding on this album.

Fault 1 is the songwriting department. Compositions are pretty linear and don't offer much outside of the "ear-candy" factor on first listen. While songs like the opener, "Final Resistance," offer up some solid neo-thrash verses and catchy-as-hell choruses, it's not anything to write home about in the end. By the time the band reaches the 2nd chorus of a song, you're ready to press the skip button.

To add on, there's not much complexity; don't expect any solos or technical flair, because that's a search you'll never complete. Cathode Ray Sunshine. Final Resistance. Damage Done Videos 9. Damage Done Lists 4. Dream Audience. Essential Death Metal Albums. Top Metal Albums of All Time. Damage Done Reviews 9. Date : Feb 17, When I got into the metal scene I was mostly a power metal fan, and would hardly listen to any other genre, maybe some heavy metal, some thrash metal, and hard rock, but that was it, I was not open for anything else.

However I became so fascinated with the power metal genre that it got me into putting attention to the labels my favorite artists belonged to, and of course those labels will have bands of genres I would never give a time of the day. The biggest labels at the time were Nuclear Blast, Century Media, and SPV, at least of the styles I was most inclined to listen, and other than Roadrunner you would not hear from anyone else.

These labels did not take long in finding a way to promote their artists as a group, and they started releasing compilations in audio and video, something that became very popular, rapidly, in the metal scene. They were clever in the covers and would have something the metal audience will immediately connect with when they see the artwork at the stores, and this is why compilations such as the Monsters Of Metal volumes became so drastically popular, not only they had a cool cover displaying a Helloween mascot figure, they would also become a way to open the eyes of those like me to listen to other amazing music that we would never end up listening otherwise.

That's how I discovered many of the bands that I end up loving for the next decade and will continue to love in the future. I had been open to other things, but metal will always ha ve a deep space in my heart. I feel grateful for having the opportunity to discover this amazing music that uplift our spirits and makes us give a sense to the times we live in.

Dark Tranquility was one of those very first bands I discovered outside the power metal scene. At first it felt scary to open up to something like their work, and it felt a little too outside my comfort zone to listen to it, but my brain soon adapted, and when that happened I started to notice that even in these heavier genres, as it is the black metal and the death metal, I found genius compositions that can only make sense in those styles, and that without those styles, that genius would had never been tapped into, and all those gems would had never been discovered.

The internet was still booming in their first decade of existence, and sites like this one were created for musicholics like me. Soon enough I knew the names of the new genres, such as melodic death and gothenburg, just like the city in Sweden, I also knew the countries where these bands were coming from, and I knew their discographies, which helped me to look up for releases I would never have known they existed otherwise.

After getting into the commotion of the In Flames and Soilwork catchy social reunion appealing style, it didn't took long for me to connect with Dark Tranquillity as well, which to my surprise I discovered they were the real pioneers of the style from Gothenburg, a genre that later become ridiculously commercialized in other not so socially appealing styles as the metalcore and the hardcore scene, but nevertheless became so popular thanks to the defining characteristics that bands like Dark Tranquility created.

Dark Tranquillity soon became the first melodic death band I saw live, their energy was captivating, and Damage Done became one of the most listened albums in my music library, but it was not because it was from a good band or just because it had a good sound, it was because it was emotional. This is with no doubt one of the most emotional albums in the heavier side of metal.

Mostly albums with such emotions only exist in the lesser heavier styles. But Dark Tranquility managed to change that, and created something heavy that can also make you cry. Even a decade after of listening to this album for the very first time, I can put it on, listen to it with my headphones, and enjoy it to the fullest, while at the same time feel the goosebumps and the deep emotions that songs such as Format C For Cortex can give you.

Compositions that you only expect from the metal beasts of heavy metal like Iron Maiden. With this album, Dark Tranquillity proved that those genres are not the only ones that can reach those levels of composition and deep emotional sound. When I first listened to this album on repeat so many times I thought this one was one of those that would probably pass by without people acknowledging the greatness in it, I didn't hear much commentary about it, and it made me sad that such a great album was not getting the honors it deserved.

But after a decade it makes me happy to know that is finally getting that well deserving recognition, and that it is in the top albums of all time as it should. Albums like this are the ones that unite our metal community, that makes us feel at home, and closer to each other, that we belong to something bigger, a poem of life and existence in which we sympathize with those that share the same enthusiasm in this beautiful age we call our present time.

Date : Jan 10, Date : Jan 8, Date : Sep 11, Date : Mar 23, Date : Mar 31, Damage Done Comments Dark Tranquillity [ edit ]. Production [ edit ]. Studios [ edit ]. Release history [ edit ]. Charts [ edit ].

Dark tranquillity damage done

References [ edit ]. The Metal Archives. Retrieved 12 February Hung Medien. GfK Entertainment Charts. Retrieved 11 August External links [ edit ]. Exposures — In Retrospect and Denial Yesterworlds. Authority control databases MusicBrainz release group. Hidden categories: Use dmy dates from March Articles with short description Short description is different from Wikidata Articles with hAudio microformats Album articles lacking alt text for covers Album chart usages for France Album chart usages for Germany4 Album chart usages for Sweden.

Toggle the table of contents. February—March at Studio Fredman. Melodic death metal. Century Media. Haven