L apparenza lucio battisti biography

Categories : albums Lucio Battisti albums. Hidden categories: CS1 Italian-language sources it Articles with short description Short description is different from Wikidata Articles with hAudio microformats Album articles lacking alt text for covers. Toggle the table of contents. Synthpop Pop. Numero Uno. Don Giovanni L'apparenza La sposa occidentale Italy Musica e dischi [ 3 ].

They also speak "indecencies" to a confessor, suggesting a need to confess. The use of terms like "jumps of dolphins" and "raging horses" conjures images of power and strength, further emphasizing the theme of power and control. Overall, "L'apparenza" is a complex song that explores themes of deception and power dynamics in relationships.

It shows how appearances can be misleading and how people can manipulate others to maintain a sense of control. This meaning interpretation was written by AI. From the charming "La collina dei ciliegi", to the hermetic title-track Battisti pursues other sounds, other words. In he records one of his most experimental album entitled "Anima latina".

This album exceeds by far "Il nostro caro angelo" achievements. It breathes an even more latin air, Mediterranean colors and patterns melt to give a groove owing a lot to Italian progressive. In February Battisti release a new album entitled "Lucio Battisti, la batteria, il contrabbasso, eccetera", where the song "Ancora tu", one of his biggest hit internationally, has a clear disco-music imprint.

With the same title the album is also released in Spanish the lyrics are translated by Carlos Ramon Amart and the single "Respirando" will be a hit in Spain. In he leaves for Los Angeles. In Hollywood Battisti starts working on the project of a American release of some his most successful hits and some new songs which are translated by Mogol and Peter Powell.

In the same year release in Spain his second Spanish album entitled "Emociones" and the single "Sentir amor". In he leaves for London to record a new album entitled "Una donna per amico". The beauty of the album is confirmed by its commercial success: over He is widely recognized for songs that defined the late s and s era of Italian songwriting.

Battisti released 18 studio albums from to , with a significant portion of this catalogue translated into Spanish various albums , English one album , French two albums , and German one album. He was known to be an extremely reserved artist, performing only a small number of live concerts during his career. In he announced that he would speak to the public only through his musical work, limiting himself to the recording of studio albums and disappearing from the public scene.

Battisti was born in Poggio Bustone , a small town in the province of Rieti northern Lazio , and moved with his family to Rome in A self-taught guitarist, Battisti made his debut as musician in the s, performing in local bands in Rome, Naples and later in Milan , where he joined I Campioni The Champions , the support band of then famous singer Tony Dallara.

In Milan he found the support of the French talent scout Christine Leroux, who worked for the Ricordi music label and introduced Battisti to lyricist Giulio Rapetti, better known as Mogol. Though not impressed at first by Battisti's music, Mogol later declared to have started the collaboration after recognizing Battisti's humble, though determined, desire to improve his work.

Mogol also pushed Ricordi to allow Battisti to sing his own songs: Battisti's voice became the focal point of his strength and originality. As a singer, he made his debut with the song " Per una lira " in despite the song's poor success only copies sold throughout Italy , [ 3 ] it allowed him to begin building his career as a singer. Battisti continued to write for others during the late s: the US rock group The Grass Roots scored a hit with one of Battisti's compositions, " Balla Linda " translated as "Bella Linda" , which earned Battisti fourth place in the Cantagiro , a then-popular Italian popular music competition.

In , Battisti took part in the Festival of Sanremo , with the song " Un'avventura ", and his popularity began to increase. His first hit was " Acqua azzurra, acqua chiara ", which won the Festivalbar. The same year, Ricordi issued Battisti's self-titled debut album. During this successful year he met Grazia Letizia Veronese, whom he later married and lived with until his death.

Forming a strong and highly successful duo with lyricist Mogol, Battisti continued to issue solo albums on a regular basis throughout the s. In almost every case they reached the highest places in his country's charts, and are regarded as classics of Italian pop music "musica leggera". He also became a popular presence on television.

In Battisti won Festivalbar for the second time in a row, with the song " Fiori rosa, fiori di pesco ", and he and Mogol started to collaborate with vocalist Mina , who sang some of their most-acclaimed songs. Battisti was really angry about this, as he had composed a concept album called Amore e non-amore , but his label chose to release the compilation rather than the album, which was considered to be too experimental and advanced for the Italian audience.

Amore e non-amore was eventually released in July , but to preserve their creative freedom, Battisti and Mogol moved over to Numero Uno , one of Italy's first independent record labels, founded by them in The new label released Umanamente uomo: il sogno followed by the even more successful Il mio canto libero The latter topped the Italian charts for 8 weeks: one of its songs — " Io vorrei, non vorrei, ma se vuoi " — was later recorded by Mick Ronson with lyrics translated by David Bowie , as " Music Is Lethal " on the album Slaughter on 10th Avenue.

The song " Il mio canto libero " has remained one of the most popular songs among Italians. Another successful album was Il nostro caro angelo Anima latina is considered Battisti's most complex and multi-layered work, a new personal approach to progressive rock with an increased attention to rhythms and increasingly cryptic lyrics by Mogol; nonetheless, their work enjoyed a good success, remaining for 13 weeks at number one in Italian chart.

Lucio Battisti, la batteria, il contrabbasso, eccetera , released in and including the hit " Ancora tu ", was an even bigger success; many of the songs clearly showing the artist's interest in the then-emerging Disco sounds and production values that would have a large influence on his three subsequent albums. In he released Io tu noi tutti. He also relocated to Los Angeles, and issued an album, Images , that featured some of his biggest hits re-recorded in English.

However, the attempt to equal his European success in the United States failed. This was followed in by Una giornata uggiosa , produced by the same team. It contained Battisti's last great success, " Con il nastro rosa ". Considered one of the duo's best compositions, it featured a long guitar solo by Phil Palmer. Battisti's songs written with Mogol continue to be covered by international artists; a more recent example is Tanita Tikaram 's " And I Think of You " "E penso a te".

Battisti, a rather shy person, had always been reluctant to talk about himself and his work.