Lorenzo lotto venus and cupid information

Incense, meanwhile, burns underneath the wreath. The incense burner, with its connotations of purification and use in religious rituals, thereby adds a moral gravitas to the scene to reinforce its didactic message. The scene, however, also has a whimsical side. Urination, however, was, at the time, considered an allusion to the blessing of fertility for a mother to be.

If there is any suggestion of lovemaking in this scene, it is that which will produce a healthy and robust child. It could be used to enhance their character or reconfigure their identity entirely. The identity of Venus is explicitly denoted with the conch shell that hangs above her head. Yet Lotto simultaneously makes her into a more contemporary character by affixing her with a wedding crown that was worn by Venetian brides during the time.

Lotto, moreover employed symbolic objects across his oeuvre, each with a wide range of interpretative possibilities—almost as if he were an alchemist.

Lorenzo lotto venus and cupid information

The roses amidst the males, on the contrary, take on a much somber tone. The scattered petals would then serve as a warning, to the viewer as well as to the sitter, against placing too much trust in objects of only fragile and transient beauty. Humfrey surmises that this combination suggests that the sitter may be in bereavement, and reaching for the roses for comfort.

He rethought the relationship between the pair, making cupid a weightier, more adult figure, who appears not to be under the direction of his mother. New York: Metropolitan Museum of Art, Carlo Pirovano. Andrea Bayer. Nicholas Penny. The Sixteenth Century Italian Paintings. London, , pp. Everett Fahy in The Wrightsman Pictures. Everett Fahy.

Jo Saxton. Doornspijk, The Netherlands, , p. Pierre Rosenberg. Eric Jan Sluijter. Golahny et al. Amsterdam, , p. Norberto Massi. Lynn Catterson and Mark Zucker. Todi, , pp. XII, fig. Deborah L. Krohn in Art and Love in Renaissance Italy. Patricia Simons. Margaret Binotto in Lorenzo Lotto. Giovanni Carlo Federico Villa. Cinisello Balsamo, Milan, , pp.

Fernando Rigon. Maria Giulia Aurigemma. Rome, , p. Paola Marini and Bernard Aikema. David Young Kim. Kathryn Calley Galitz. Padua, , pp. Madrid, , p. Miguel Falomir in Lorenzo Lotto: Portraits. Nancy Kenney. The Private Collection of Jayne Wrightsman. Christie's, New York. October 14, , p. Roberta D'Adda et al. The frame is from Southern Spain and dates to about see figs.

This elegant High Baroque carved giltwood cassetta frame is made of pine. Reduced at the corners the miters are now secured with tapered splines made of oak. The sight edge ornament is carved in acanthus leaf and shield. The hollowed frieze, carved in the manner of a stone relief, is ornamented in bold scrolling lotus leaf cauliculi with applied cartouches at the four centers.

A course of triple pearling and reel lies within a repeated larger course of acanthus and shield ornament before the narrow fillet at the top edge. The surface is burnished water gilding overall. Lotus leaf ornament is typical of seventeenth-century Spain. Versions of these frames were made in Peru using tropical wood and gilded but with red painted fields.

Timothy Newbery with Cynthia Moyer ; further information on this frame can be found in the Department of European Paintings files. This work may not be lent, by terms of its acquisition by The Metropolitan Museum of Art. Learn more about this artwork. Curator Keith Christiansen explores a provocative new juxtaposition of four paintings by Veronese, Titian, and Lotto, all of which depict Venus, the goddess of love.

Connections : Olympians. Associate publisher Gwen Roginsky and her teenage daughter Ana Sofia Meneses relish the drama of the dysfunctional family that is the Olympians. Connections : Date Night. Venice , Italy. Loreto, Marche , Italy. Overview [ edit ]. Biography [ edit ]. Apprenticeship [ edit ]. Treviso — [ edit ]. Recanati — and Rome — [ edit ].

The Marche — and Bergamo — [ edit ]. Venice — [ edit ]. Venice, the Veneto and the Marche — [ edit ]. Selected works [ edit ]. See also [ edit ]. References [ edit ]. Retrieved 7 April Museo Nacional Thyssen-Bornemisza. Retrieved June 11, Sources [ edit ]. Further reading [ edit ]. External links [ edit ]. Wikimedia Commons has media related to Lorenzo Lotto.

Lorenzo Lotto. Suardi Chapel High Renaissance. The Last Supper c. Before the purchase, the painting was cleaned at the Metropolitan, notably to remove an old overpainting that extended the headdress of Venus to drape onto her right thigh. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version.

In other projects. Wikimedia Commons Wikidata item. Painting by Lorenzo Lotto. Description [ edit ]. History [ edit ].