Miei pensieri barbara strozzi biography

Strozzi published one known work of religious pieces. Her opus 5, written in , was dedicated to the Archduchess of Innsbruck, Anna de Medici. Strozzi was highly sensitive to the subliminal meaning in her texts, and, as is the case with Arcangela Tarabotti , the texts she set often hinted at underlying issues regarding gender. There are numerous recordings.

Some of them contained Barbara's works exclusively, others only indexed few pieces. With the flourishing of the historical performance movement, an increasing number of performances featuring Strozzi's works have been staged over the past few years. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version.

In other projects. Wikimedia Commons Wikidata item. Italian baroque singer and composer. The Viola da Gamba Player , c. It is unclear whether the painter is immediately related to the Strozzi family. Personal life [ edit ]. Early life and childhood [ edit ]. Later life, children and death [ edit ]. Professional life [ edit ]. Life as a young musician [ edit ].

Professional career [ edit ]. Compositional style [ edit ]. Publications, recordings and performances [ edit ]. Publications [ edit ]. Recordings [ edit ]. Performances [ edit ]. None of these circumstances lead to the conclusion that Barbara was numbered among the many thousands of registered courtesans or prostitutes of Venice. It is more likely that she was too busy writing, composing, and attending to the needs of her parents and her children to have had an outside profession.

Her attempts to secure the permanent patronage of a wealthy music lover never bore fruit, however. Each of her seven numbered collections is dedicated to a different patron the eighth, Opus 4, is lost but believed to have been written for the Duke of Mantua. There is no record of what type of payment or privilege she received from her dedicatees, but aristocratic patronage was one of the few means a composer enjoyed to get music performed and published.

We can only wish that there were journals, diaries, or more letters regarding her work. Given the few bits of information we now have about Barbara's private life, we have a picture of an extraordinary woman of talent, beauty, intellect, and business savvy, who published pieces of vocal music in her lifetime. Candace Magner is the creator, publisher, and general editor of the publishing house, Cor Donato Editions , dedicated to the works of composer Barbara Strozzi.

Magner is a singer and plucked continuo instrument performer. Magner is retired from teaching voice and opera history at the University of New Mexico-Los Alamos, and is an independent researcher in Italian libraries and archives. She composed eight volumes of music and all but one of these was secular. Most of her compositions were cantatas and all but four were written for soprano.

Her arias and cantatas differed from one another in both length and structure. The arias were typically shorter and strophic with a refrain at the beginning and end while her cantatas were longer and more diverse, usually with many sections that combined several vocal styles. She often used recitativo parlando in her work, which emphasized the text using minimal accompaniment, and she paired this recitative with arioso passages.

Ariosos are a mid-point between recitative and arias. They are more lyrical than recitatives but less formal and structured than the arias we know today. Strozzi often set very emotional texts and wrote frequently about love, mainly misery in love and unrequited love. Most of the texts she used were Marinistic love poetry and her sensitivity to text was one of her biggest compositional strengths.

She employed unprepared dissonance to express the extreme emotions she conveyed in her music and wrote dissonances between the voice and accompaniment in order to convey the depth of emotion and color the text dramatically. Her compositions were typically more modal than tonic-dominant. She played with form and would shift between recitatives, arias, and ariosos regardless of how the text was written and divided.

ISBN X. Stanley, Elizabeth , ed. Barbara Strozzi: In Medio Maris. Privately published. Straus , Joseph N. Thorn, Benjamin , ed. Barbara Strozzi: [2. American Recorder Society. Tonalli , Francesco , ed. Torchi, Luigi, ed. Saggi Antichi ed inediti della Musica Vocale Italiana. Milano: G. No Date Notes: Op. Vatielli , Francesco , ed. Bologna: F.

Bongiovanni, , DC, RQM, non-lending. Other libs. Accademia degli Unisoni. Satire, e altre raccolte per l'Accademia de gli Unisoni in casa di Giulio Strozzi. Venice: Located at Biblioteca Nazionale Marciana. I: Vnm Cl. X, Cod. Veglie de' Signori Unisoni. Located at Venice: Biblioteca Nazionale Marciana. I: Vnm C Bizzarrie Poetiche poste in musica.

Notes: Dedicated to Giovanni Paolo Vidman. RISM F I: microfilm. Bizzarrie Poetiche posta in musica, Libro Secondo. A uno, doi, e tre voci. Venice: Bartolomeo Magni, Notes: Dedicated to Giorgio Nani. Cini: negative photo print. Bizzarrie Poetiche posta in musica, Libro Terzo. Notes: Dedicated to Claudio Du Houssazy. I: BO. Loredano, Giovanni Francesco and Girolamo Brusoni attrib.

Le glorie de gli Incogniti ; p. Venice: apresso Francesco Valvasense, Notes: located I: Vnm 69 C or D La Contesa del Canto, e delle Lagrime. Loredano Bizzarrie academiche. Venice: Sarzina, Notes: location I: Vnm 69 C and C Venice: Correr. Torrefranca - S. English translation as Academical discourses London, p. Strozzi, Giulio. Poesie per il Primo libro de' madrigali di Barbara Strozzi.

Anna Aurigi, ed. Firenze: Studio Editoriale Fiorentino, Analysis specifically on Barbara Strozzi. Camiz, Franca Trinchieri. Atti del convegno internazionale, Venezia, Palazzo Giustinian Lolin dicembre , ed.

Miei pensieri barbara strozzi biography

Francesco Passaore and Franco Rossi; p. Venice: Fondazione Ugo e Olga Levi, Glixon , Beth L. Inglis, Katherine. Le Musiche di Barbara Strozzi. Tesi di laurea, U. Non-doctoral thesis. Notes: The numbered catalog of Strozzi's works, a complete discography and a classified bibliography of original sources, secondary sources, analyses. Meyer , Klara , ed.

Kassel: Furore-Verlag,. Pecknold, Sara M. Raney, Carolyn , ed. Stanley Sadie; p. London : Macmillan, Rosand, Ellen. New York: Macmillan, Rosand , Ellen. Rosand , Ellen , ed. Bowers and J. Tick; p. Champagne-Urbana, Ill. New York: Da Capo Press, Roughol , Sophie. General Analyses, including material on Barbara Strozzi and her circle:. Adkins Chiti, Patricia.

Almanacco delle virtuose, primedonne, compositrici e musiciste d'Italia: dall' A. Novara: Istituto geografico DeAgostini, Aurigi, Anna ed. Berdes , Jane L. Women Musicians of Venice ; p. Bertollo, Giovanni Battista. Giovanni Widmann : mercante del fondaco dei tedeschi. Venezia: tesi di laurea: anno accademico Notes: detailed information on the Vidman family.

Bonaventura, Arnaldo. Bowers , Jane M. Briscoe , James R. Historical Anthology of Music by Women. Bloomington, Ind. Carapezza, Paolo Emilio. Quaderni della Rivista italiana di musicologia. Firenze: Olschki, , p. RILM ae. Feldman, Martha. City Culture and the Madrigal at Venice. Berkeley: University of California Press, Notes: includes information on the Strozzi family before Giulio.

Glickman, Sylvia, and M. Schleifer, ed. Women Composers: music through the ages. See also Wong. New York: G. Hall, Harran, Don. Serie Di Musica E Spettacolo. Paolo Fabbri. Jackson , B. Pendle; p. Jezic, Diane and Elizabeth Wood. Women composers: the lost tradition found. New York: Feminist Press, ISBN cloth paper pp Opus primum in Venedig: Traditionen des Vokalsatzes Laaber: Laaber-Verlag, Landon, H.

Five centuries of music in Venice ; p. OCLC Mabbett, Margaret Anne. The Italian madrigal, Notes: microfiches at Washington University, MO. Magani, Fabrizio. Memori, classe di scienze morali, lettere ed arti, vol 41, fasc 3. Venezia: Istituto Veneto, Maylender , Michele. Storia delle accademie d'Italia ; vol. Bologna: L. Cappelli, Menegatti, Tiziana.

Ex ignoto notus: bibliografia delle opere a stampa del principe degli incogniti: Giovan Francesco Loredano.